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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220823T120000
DTEND;TZID=America/Chicago:20220823T130000
DTSTAMP:20260416T131500
CREATED:20220809T202431Z
LAST-MODIFIED:20220809T202504Z
UID:1825-1661256000-1661259600@copyrightsocietyofthesouth.com
SUMMARY:Webinar:  The Phonorecords III Remand - What does this mean for the copyright holder?
DESCRIPTION:Danielle Aguirre\, Executive Vice President & General Counsel of the National Music Publishers’ Association (NMPA)\, will present information regarding the Phonorecords II Remand\, updates since the July 1 response to the CRB\, and the Remand’s potential impacts to the copyright landscape. \nAbout Danielle Aguirre \nDanielle oversees all of NMPA’s legal\, business and policy objectives.  Her role is to protect and enforce the copyrights and intellectual property interests of songwriters and music publishers.  Ms. Aguirre has aggressively fought digital piracy and infringement litigating against digital platforms\, and she works with the largest companies\, digital services and record labels to ensure that publishers and songwriters are being fairly compensated for the use of their songs. \n \nMs. Aguirre was integrally involved in the negotiation\, drafting and passage of the Music Modernization Act\, legislation that amended U.S. Copyright law and led to the creation of a new licensing company\, the Mechanical Licensing Collective (MLC).  After co-leading a team that developed the MLC\, she currently serves as the statutorily designated non-voting publisher representative on the MLC board.  In 2018\, Billboard honored her as the Women in Music Co-Executive of the Year for her work on the MMA and MLC. \n \nPrior to joining NMPA\, Ms. Aguirre was an attorney at Paul\, Weiss\, Rifkind\, Wharton and Garrison LLP. She received her JD from the University of Pennsylvania Law School and her BA from Georgetown University. \nAbout the NMPA (www.nmpa.org) \nFounded in 1917\, the National Music Publishers’ Association (NMPA) is the trade association representing all American music publishers and their songwriting partners. The NMPA’s mandate is to protect and advance the interests of music publishers and songwriters in matters relating to the domestic and global protection of music copyrights.  \n____________________ \n****This is a private online event for Society members and their registered guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today at copyrightsocietyofthesouth@gmail.com .*** \n 
URL:https://copyrightsocietyofthesouth.com/event/webinar-the-phonorecords-iii-remand-what-does-this-mean-for-the-copyright-holder/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220330T113000
DTEND;TZID=America/Chicago:20220330T123000
DTSTAMP:20260416T131500
CREATED:20220318T171421Z
LAST-MODIFIED:20220321T174200Z
UID:1752-1648639800-1648643400@copyrightsocietyofthesouth.com
SUMMARY:Webinar:  Thriving in the Digital Age:  A Conversation with Linda Bloss-Baum at SoundExchange
DESCRIPTION:Linda Bloss-Baum\, VP/Government Relations & Public Affairs at SoundExchange (www.soundexchange.com)\,  will provide an update on their latest programs including the fight to create a terrestrial performance right for artists (via the American Music Fairness Act)\, new developments in royalties for foreign neighboring rights\, an update on digital radio in the US\, and other key initiatives of interest to all creators and rights owners. \n  \nAbout Linda Bloss-Baum \nLinda Bloss-Baum leads SoundExchange’s industry-shaping advocacy efforts in favor of the fair treatment of music creators in the digital age. She represents SoundExchange to critical external audiences\, including lawmakers\, regulators and industry stakeholders. For the past eight years\, Linda has been a liaison between SoundExchange and artists and industry leaders. \nBefore joining SoundExchange full time Linda served as an independent consultant for SoundExchange and recording artists through her agency\, LBB Creative Strategies. Prior to establishing LBB Creative Strategies\, Linda ran the Warner Music Group office in Washington\, D.C. for six years. She also served as Vice President\, Public Policy/Government Relations at Universal Music Group/NBC Universal and Time Warner\, Inc. \nLinda graduated from Catholic University Law School. She is an adjunct professor at the KOGOD School of Business at her undergrad alma mater\, American University\, where she teaches a class on “Protecting the Creative Class in the Digital Age.” Linda proudly serves on the Board of Directors for the Gospel Music Association. \nAbout SoundExchange (www.soundexchange.com) \nSoundExchange is the premier music tech organization on a mission to power the future of music. It was independently formed in 2003 to build a fairer\, simpler\, and more efficient music industry through technology\, data\, and advocacy. The only organization designated by the U.S. government to administer the Section 114 sound recording license\, SoundExchange collects and distributes digital performance royalties on behalf of 560\,000 music creators and growing. Through proprietary music tech solutions that turn data into accurate revenue\, SoundExchange has paid more than $9 billion in distributions to date. For more information\, visit www.soundexchange.com . \n 
URL:https://copyrightsocietyofthesouth.com/event/webinar-thriving-in-the-digital-age-a-conversation-with-linda-bloss-baum-at-soundexchange/
LOCATION:Webinar\, Members: Please use link provided in email invitation
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220303T113000
DTEND;TZID=America/Chicago:20220303T123000
DTSTAMP:20260416T131500
CREATED:20220218T225933Z
LAST-MODIFIED:20220218T225933Z
UID:1730-1646307000-1646310600@copyrightsocietyofthesouth.com
SUMMARY:Webinar:  Who Has the Last Laugh Now?:   A Conversation with Word Collections CEO Jeff Price
DESCRIPTION:Copyright law can be confusing. The good news is that under US copyright law\, comedians and other spoken word performers have the exact same copyrights and even better legal rights than musical songwriters. This means the licenses and accompanying royalties are not at all imaginary but required and protected under the existing laws. The problem is not that the laws don’t exist\, the problem is the law is being broken\, licenses are not getting obtained and the associated payments are not getting made. \nGuest speaker Jeff Price\, CEO of Word Collections\, will explain the details in the law that protects spoken word creators\, the licenses that are necessary for streaming\, and the current legal arguments related to these uses. \n  \nAbout Jeff Price\nIn July 2020\, after getting $1.5 billion into the pockets of artists\, songwriters and performers\, Jeff launched Word Collections to get all comedian and spoken word performers paid for the broadcast and other use of their literary works. \nIn June 2013 Price launched Audiam and represented works for millions of songs including the publishing catalogs of Bob Dylan\, Round Hill  and Carlin Music\, Third Side Music\, House Of Hassle/Rough Trade\, Metallica\, Red Hot Chili Peppers\, Jason Mraz\, Jack White\, Frankie Valli & The Four Seasons\, Tori Amos\, Aimee Mann\, Pretty Lights\, Mike Campbell\, Ruthless\, Epitaph\, Sumerian\, Puscifer and thousands more to get them licensed and paid for the streams of their recordings on Spotify\, Apple Music\, YouTube\, Amazon and other interactive digital streaming services. \nJeff Price launched TuneCore in January 2006 and built it into the world’s largest music distribution and publishing administration entity while changing the global music industry business model and getting over $1 billion from music sales into their pockets. \nIn 1990  Price co-founded and was GM / President of the New York based independent record label spinART records (Pixies\, Echo & The Bunnymen\, Apples In Stereo\, Richard Thompson etc) for seventeen years – his label was in strategic relationships with Sony\, Warner Bros.\, Sire\, Polygram Music Publishing and others.  \n_________________________ \n****This is a private online event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/webinar-who-has-the-last-laugh-now-a-conversation-with-word-collections-ceo-jeff-price/
LOCATION:Webinar\, Members: Please use link provided in email invitation
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220126T113000
DTEND;TZID=America/Chicago:20220126T123000
DTSTAMP:20260416T131500
CREATED:20220113T225241Z
LAST-MODIFIED:20220113T225241Z
UID:1698-1643196600-1643200200@copyrightsocietyofthesouth.com
SUMMARY:Webinar:  Legislative Landscape 2022
DESCRIPTION:GUEST SPEAKER:  Bart Herbison  \nBart Herbison is Executive Director of the Nashville Songwriters Association International (NSAI) with 100 domestic and international chapters.  NSAI is the world’s largest not-for-profit trade organization dedicated to the songwriting profession. Established in 1967\, the organization’s membership of more than 5\,000 spans the United States and may other countries.  NSAI is dedicated to protecting songwriter’s rights and serves aspiring and professional songwriters in all genres of music. \nUnder Herbison’s leadership NSAI gained prominence in the national legislative arena. Accomplishments include: \n\nAdoption of the historic “Music Modernization Act” in 2018\, the most important copyright reform bill for American songwriters in the modern era of music. Creation of the “Mechanical Licensing Collective” (MLC) in 2019.\nPassage of the landmark “Songwriters Capital Gains Tax Equity Act” in 2006.\nPrevailing in the Copyright Royalty Board trials that in 2008-09 that established songwriters be paid a percentage rate for subscription music services and in 2018 saw the largest mechanical royalty increase for songwriters in history of more than 44%.\nParticipation in the U.S. Supreme Court cases including Eldred vs. Ashcroft upholding Congress’s authority to grant an additional twenty years on the length of American copyrights and the landmark “Grokster” case which determined peer-to-peer services have liability when distributing copyrighted material.\nCreation of the first-ever Group Copyright Infringement Insurance for songwriters and music publishers.\nPurchase of the “Music Mill” studios as NSAI headquarters in 2005.\nAcquisition of the world-famous “Bluebird Café” in 2008.\n\nCSoS Members must be in good standing and registered prior to the meeting in order to grant access.  Contact  Society Administrator Janice Bane (jbane@barbershop.org) for more information or assistance with your registration.
URL:https://copyrightsocietyofthesouth.com/event/webinar-legislative-landscape-2022/
LOCATION:Webinar\, Members: Please use link provided in email invitation
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211209T113000
DTEND;TZID=America/Chicago:20211209T123000
DTSTAMP:20260416T131500
CREATED:20211130T145821Z
LAST-MODIFIED:20211130T145821Z
UID:1675-1639049400-1639053000@copyrightsocietyofthesouth.com
SUMMARY:Webinar: Stan Soocher’s Annual Copyright Review
DESCRIPTION:GUEST SPEAKER:  Stan Soocher \nStan Soocher is Professor Emeritus of Music & Entertainment Industry Studies at the University of Colorado’s Denver Campus and the long-time Editor-in-Chief of Entertainment Law & Finance. In addition\, Stan is an award-winning journalist and entertainment attorney. He is author of the books Baby You’re a Rich Man: Suing the Beatles for Fun & Profit and They Fought the Law: Rock Music Goes to Court\, as well as of the chapter “Twenty-First-Century Patronage: The Road to Billy Joel’s Madison Square Garden Concert Residency” in the new book We Didn’t Start the Fire: Billy Joel and Popular Music Studies. \nThis is Stan’s 25th consecutive year presenting “Copyright Year in Review” to the Copyright Society of the South. \nCSoS Members must be registered prior to the meeting in order to grant access.  Contact janice.jackson1@att.net for more information or assistance with registration.
URL:https://copyrightsocietyofthesouth.com/event/webinar-stan-soochers-annual-copyright-review-2/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210928T113000
DTEND;TZID=America/Chicago:20210928T123000
DTSTAMP:20260416T131500
CREATED:20210920T143254Z
LAST-MODIFIED:20210920T143254Z
UID:1630-1632828600-1632832200@copyrightsocietyofthesouth.com
SUMMARY:September 28\, 2021 Webinar:  NFT's and Copyright
DESCRIPTION:PANELISTS: Jordan Bromley\, Manatt Entertainment; Brian Frye\, University of Kentucky College of Law; Jeremy S. Goldman\, Frankfurt\, Kurnit\, Klein & Selz\n\nMODERATOR: Tara Aaron-Stelluto\, Aaron | Sanders PLLC | Member\, CSoS Board of Directors\nPlease note only members in good standing and invited guests will be granted access. You must register to attend.
URL:https://copyrightsocietyofthesouth.com/event/september-28-2021-webinar-nfts-and-copyright/
LOCATION:Webinar\, Members: Please use link provided in email invitation
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210818T113000
DTEND;TZID=America/Chicago:20210818T123000
DTSTAMP:20260416T131500
CREATED:20210801T154700Z
LAST-MODIFIED:20210819T154826Z
UID:1627-1629286200-1629289800@copyrightsocietyofthesouth.com
SUMMARY:August 18\, 2021 Webinar: Fighting the Good Fight -  NMPA Update
DESCRIPTION:Guest Speaker:  David Israelite\, President and CEO\, National Music Publishers’ Association \nModerator:  Kent Draughon\, CSoS President \nPlease note only members in good standing and invited guests will be granted access. You must register to attend. \n 
URL:https://copyrightsocietyofthesouth.com/event/august-18-2021-webinar-fighting-the-good-fight-nmpa-update/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210520T113000
DTEND;TZID=America/Chicago:20210520T123000
DTSTAMP:20260416T131500
CREATED:20210501T154240Z
LAST-MODIFIED:20210819T154439Z
UID:1625-1621510200-1621513800@copyrightsocietyofthesouth.com
SUMMARY:May 20\, 2021 – Navigating Livestream (Panel)
DESCRIPTION:Guest Panelists: \nMarghie Evans (Moderator) – Do Write Music (www.dowritemusic.com)\nET Brown – SESAC (www.sesac.com)\nMark Greenburg – SBN Broadcasting Networks (www.thespinnetwork.com)\nBrandon Schott – Concord Music (www.concord.com)\nMelanie Shark – Mandolin (https://partners.mandolin.com)\nShawn Wilson – Muzooka (www.muzooka.com) \nPlease note only members in good standing and invited guests will be granted access. You must register to attend.
URL:https://copyrightsocietyofthesouth.com/event/may-20-2021-navigating-livestream-panel/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210324T113000
DTEND;TZID=America/Chicago:20210324T123000
DTSTAMP:20260416T131500
CREATED:20210309T143940Z
LAST-MODIFIED:20210309T143940Z
UID:1586-1616585400-1616589000@copyrightsocietyofthesouth.com
SUMMARY:March 24\, 2021 - Colin Rushing | SXWorks
DESCRIPTION:GUEST SPEAKER:  Colin Rushing \n \nColin Rushing is Chief Legal Officer for SoundExchange (www.soundexchange.com)\, overseeing the organization’s legal\, regulatory\, and corporate affairs\, supervises rate setting proceedings\, directs the organization’s enforcement program\, and plays a key role in shaping SoundExchange’s strategic development.   At this event Colin will discuss SXWorks\, the SoundExchange company formed to serve the publishing industry\, and also provide a brief update about the latest webcasting proceeding. \nColin originally joined SoundExchange in the role of Senior Counsel for Licensing and Enforcement\, in which position he developed a comprehensive enforcement program\, advised the organization on regulatory matters\, and helped manage rate-setting proceedings. \nRushing is a graduate of James Madison University and the University of Virginia School of Law. After law school\, he clerked for the Hon. T.S. Ellis III in the United States District Court for the Eastern District of Virginia. Before joining SoundExchange Colin was an attorney at Wilmer Cutler Pickering Hale and Dorr LLP Washington\, D.C.\, where he focused on intellectual property and media law. \n****This is a private event for Society members and their registered guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/march-24-2021-colin-rushing-sxworks/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210225T113000
DTEND;TZID=America/Chicago:20210225T123000
DTSTAMP:20260416T131500
CREATED:20210204T174845Z
LAST-MODIFIED:20210204T174845Z
UID:1579-1614252600-1614256200@copyrightsocietyofthesouth.com
SUMMARY:February 25\, 2021 - Updates from the Copyright Office
DESCRIPTION:GUEST SPEAKER:  Regan Smith \nRegan Smith is the General Counsel and Associate Register of Copyrights for the United States Copyright Office. She was appointed to the position effective May 27\, 2018.In her position as General Counsel\, Smith provides legal guidance to the various divisions and programs of the Office\, including the national registration and recordation systems\, and she is frequently called upon by congressional offices\, the U.S. Department of Justice\, and other federal agencies for advice and assistance. She also has primary responsibility for the formation and promulgation of regulations and the adoption of legal positions governing policy matters and practices of the Copyright Office. Since joining the Office\, Smith has been involved in music copyright issues\, including advising congressional offices with respect to the Music Modernization Act\, and she now leads the Office’s efforts to implement this historic law through regulatory and other activities on behalf of the Register of Copyrights. \nBefore joining the Copyright Office\, Smith spent several years in private practice\, where she represented a variety of clients in matters concerning copyright\, technology\, media\, and related intellectual property issues. Smith earned her JD from Harvard Law School\, and her BA in philosophy and political science from the University of Michigan. Prior to attending law school\, Smith worked at a start-up enterprise on various film\, theatrical\, music\, and emerging media projects. \n****This is a private Zoom webinar event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/february-25-2021-updates-from-the-copyright-office/
LOCATION:Webinar\, Members: Please use link provided in email invitation
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201211T113000
DTEND;TZID=America/Chicago:20201211T121500
DTSTAMP:20260416T131500
CREATED:20201130T162009Z
LAST-MODIFIED:20201130T162009Z
UID:1554-1607686200-1607688900@copyrightsocietyofthesouth.com
SUMMARY:Webinar: Stan Soocher's Annual Copyright Review
DESCRIPTION:GUEST SPEAKER:  Stan Soocher \n \nStan Soocher is Professor of Music & Entertainment Industry Studies at the University of Colorado’s Denver Campus and the long-time Editor-in-Chief of Entertainment Law & Finance. In addition\, Stan is an award-winning journalist and entertainment attorney. He is author of the books Baby You’re a Rich Man: Suing the Beatles for Fun & Profit and They Fought the Law: Rock Music Goes to Court\, as well as of the chapter “Twenty-First-Century Patronage: The Road to Billy Joel’s Madison Square Garden Concert Residency” in the new book We Didn’t Start the Fire: Billy Joel and Popular Music Studies. \nThis is Stan’s 24th consecutive year presenting “Copyright Year in Review” to the Copyright Society of the South. \n****This is a private online event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/webinar-stan-soochers-annual-copyright-review/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20201117T113000
DTEND;TZID=America/Chicago:20201117T121500
DTSTAMP:20260416T131500
CREATED:20201103T145214Z
LAST-MODIFIED:20201103T145214Z
UID:1542-1605612600-1605615300@copyrightsocietyofthesouth.com
SUMMARY:Webinar: November 17\, 2020 – All About The Mechanical Licensing Collective (MLC)
DESCRIPTION:GUEST SPEAKER: Maurice Russell \nMaurice Russell is the Head of Rights Management for The Mechanical Licensing Collective (www.themlc.com). In this role\, Russell supports The MLC’s work to implement the first statutory blanket licensing system for mechanical rights in the United States. Russell also leverages his operational and administrative expertise in order to help The MLC prepare to process digital music royalty payments to music publishers and songwriters globally. \nA senior executive in the music and entertainment industry with over 20 years of experience and a deep passion for intellectual property (IP) rights management\, licensing\, business development\, strategy\, client service and operations management\, Russell was previously the founder of music industry rights management consultancy firm Media Rights Management (MRM). At MRM\, Russell helped his clients navigate the music industry’s growing licensing and data challenges. \n****This is a private online event for Society members.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/webinar-november-17-2020-all-about-the-mechanical-licensing-collective-mlc/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200930T113000
DTEND;TZID=America/Chicago:20200930T121500
DTSTAMP:20260416T131500
CREATED:20200917T141254Z
LAST-MODIFIED:20200917T141511Z
UID:1518-1601465400-1601468100@copyrightsocietyofthesouth.com
SUMMARY:Webinar: Current Issues Facing the Marketplace
DESCRIPTION:SPEAKERS:  Dr. Jeffrey Eisenach and Barry Massarsky\nDr. Jeffrey Eisenach is a Managing Director and Co-Chair of NERA’s Communications\, Media\, and Internet Practice\, and serves on the firm’s Board of Directors. He is also an Adjunct Professor at George Mason University Law School\, where he teaches Regulated Industries\, and a Visiting Scholar at the American Enterprise Institute. Previously\, Dr. Eisenach has served in senior policy positions at the US Federal Trade Commission and the White House Office of Management and Budget\, and taught at Harvard University’s Kennedy School of Government and Virginia Polytechnic Institute and State University. Dr. Eisenach’s consulting practice focuses on economic analysis of competition\, regulatory\, intellectual property and consumer protection issues. He has submitted expert reports and testified in US federal court as well before the Antitrust Division of the U.S. Department of Justice\, the Federal Trade Commission\, the Copyright Royalty Board\, the Federal Communications Commission\, the International Trade Commission\, US Tax Court\, several state public utility commissions\, and courts and regulatory bodies in Australia\, Canada\, the United Kingdom\, India\, the Caribbean\, and South America. He has also advised clients in some of the world’s largest information technology sector mergers. He has written or edited 19 books and monographs\, including Broadband Competition in the Internet Ecosystem and Competition\, Innovation and the Microsoft Monopoly: Antitrust in the Digital Marketplace. His writings have also appeared in scholarly journals such as The Review of Network Economics\, as well as in popular outlets like Forbes\, The New York Times\, and The Wall Street Journal. Prior to joining NERA\, Dr. Eisenach was a managing director and principal at Navigant Economics\, and before that he served as Chairman of Empiris LLC\, Criterion Economics\, and CapAnalysis\, LLC. Among his other previous affiliations\, Dr. Eisenach has served as President and Senior Fellow at The Progress & Freedom Foundation; as a scholar the Heritage Foundation\, and the Hudson Institute; as a member of the 1980-81 Reagan-Bush Transition Team on the Federal Trade Commission\, the 2000-2001 Bush-Cheney Transition Team on the Federal Communications Commission\, the Virginia Governor’s Commission on E-Communities\, and the Virginia Attorney General’s Task Force on Identity Theft. In 2016-2017 he led the Trump-Pence Transition Team for the Federal Communications Commission. Dr. Eisenach received his PhD in economics from the University of Virginia and his BA in economics from Claremont McKenna College.                               \nBarry M. Massarsky has been operating as a music industry economist since 1981.  After graduating Cornell University with his MBA\, he became the Senior Economist at ASCAP and then in 1992\, formed his own economic consulting firm which now includes four music economic consultants\, including his partner\, Ms. Nari Matsuura.  For the last consecutive 28 years\, he has served as the outside economist for both RIAA and SESAC and co-developed the strategies that lead to the formation of SoundExchange.  He has been the performance rights outside expert for both UMPG and Warner Chappell since 2003\, as well as currently serving in a similar capacity for SONY/ATV.  He also contributes to the economic and strategic positioning for both MUSICFIRST and SESAC in their respective dealings concerning terrestrial radio licensing. His firm presently provides music catalog valuations for most players comprising the music copyright financial marketplace and is recognized as a first-in-class valuation firm by both the significant commercial lenders and privately held funds in this space. He is also a veteran economic expert in copyright damages cases for the music industry’s major record labels and publishers with his current assignment representing the interests of Ed Sheeran.                                                                                                                  \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/webinar-current-issues-facing-the-marketplace/
LOCATION:Webinar
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200528T113000
DTEND;TZID=America/Chicago:20200528T121500
DTSTAMP:20260416T131500
CREATED:20200515T131339Z
LAST-MODIFIED:20200515T131339Z
UID:1497-1590665400-1590668100@copyrightsocietyofthesouth.com
SUMMARY:Webinar:  AI:  Invasion of the Robot Creators:  Underlying Rights Issues in the Use of Artificial Intelligence to Create New Works
DESCRIPTION:PANELISTS:  John Beiter\, Marghie Evans\, Michael Harrington\, and Randy Wachtler  \n  \nJohn Beiter has practiced entertainment law for over 25 years.  His clients have included recording artists\, record companies\, songwriters\, music publishers\, filmmakers\, and authors regarding talent agreements\, entity formation\, copyright acquisition and a wide variety of other transactional matters.  His institutional clients include the Americana Music Association\, the International Entertainment Buyers Association\, and SESAC.  He has been listed in Best Lawyers in America in Entertainment-Music since 2012 and his new firm is listed in the 2020 Best Law Firms in Entertainment-Music\, Tier 1 Nashville.  He is a member of the Recording Academy\, Country Music Association\, and American and Tennessee Bar Association entertainment law sections\, and is a former Leadership Music board member and former Chairman of the Nashville Bar Association Entertainment Law Committee.  Beiter helped draft the Songwriters Capital Gains Tax Equity Act and has spoken on several roundtables presented by the Copyright Office and the USPTO.  Previously\, he wrote songs for a Nashville music publisher. \n\n\n\n* * * * * \n\n\n\nAn expert in the rights clearance field\, especially for audio-visual and new media and experienced music publishing executive\, Marghie Evans is partner at Do Write Music in Nashville.  She sits on the boards of Leadership Music and the Copyright Society of the South and consults with Fair Trade Music International. Do Write Music have been in business for 12 years\, and represents various songwriters including Janis Ian\, Delbert McClinton\, Robin Zander (Cheap Trick)\, Victoria Shaw\, Bobby Pinson\, Old Crow Medicine Show and Matthan Minster (Cage the Elephant).  Their catalogue includes hits for Toby Keith\, Trace Adkins\, Blake Shelton\, and Christina Aguilera.  Do Write Music was winner of 2018 Music Row song of the year “Most People Are Good”\, recorded by Luke Bryant on behalf of their client\, songwriter Ed Hill. Prior to setting up Do Write Music\, Marghie was Head of Rights & Clearances for PolyGram Filmed Entertainment and Universal Pictures in London\, England. That’s where she learned the music publishing business – licensing in music for film and TV.  She also acted as a consultant (on behalf of both PolyGram and Universal) to the MCPS (Mechanical Rights Protection Society) and BPI (British Phonographic Industry) on rights clearance for new media. Marghie grew up in Toronto where she was a professional singer/songwriter throughout the 1980s.  She toured Ontario with her eponymous band and appeared on CBC’s “The Entertainers” and “Opry North”.  She eventually signed with RCA Canada and scored a top 20 country hit with “Some Things Never Change” in 1986.  She moved to England in 1988. \n\n\n\n* * * * * \n\n\n\nDr. E. Michael Harrington has served as consultant and expert witness in hundreds of music copyright/IP matters involving The We Shall Overcome Foundation\, Pharrell Williams\, Robin Thicke\, Taylor Swift\, Led Zeppelin\, Katy Perry\, Dixie Chicks\, Adele\, Steven Spielberg\, Led Zeppelin\, Steve Perry\, 50 Cent\, Tupac\, Lady Gaga\, Deadmau5\, Danger Mouse\, Jib Jab\, Adam Levine\, Busta Rhymes\, Samsung\, HBO and others. On February 5\, 2020\, he spoke about AI and creating music at the “Copyright in the Age of Artificial Intelligence” symposium sponsored by the U. S. Copyright Office and World Intellectual Property Organization at the Library of Congress.  As expert witness\, he is responsible for freeing the iconic civil rights anthem\, “We Shall Overcome\,” on January 26\, 2018. On August 30\, 2016\, his writings and interviews were cited as authorities in the “Brief of Amici Curiae\, 212 Songwriters\, Composers\, Musicians\, and Producers in Support of Appellants” in the “Blurred Lines” decision at the United States Court of Appeals for the Ninth Circuit.  He co-authored the Brief of Amici Curiae Musicologists in Support of Williams & Thicke\, Led Zeppelin and Katy Perry in their appeals to the Ninth Circuit. He has been interviewed by media including New York Times\, Wall Street Journal\, Washington Post\, Bloomberg Law\, NPR\, Bravo\, CNN\, BBC\, CBC\, The Guardian\, ABC\, NBC\, CBS\, Fox\, Huffington Post\, Fortune\, Esquire\, Salon and others\, and lectured at Beverly Hills Bar\, Texas Bar\, Boston Bar\, Minnesota Bar\, Harvard Law School\, Harvard Business\, the American Bar Association\, GWU Law\, Cardozo Law\, BC Law\, UNH Law\, Vanderbilt Law\, Penn State Law\, Brooklyn Law\, William Mitchell Law\, Arizona State Law\, NYU\, and more than 300 universities\, festivals\, conferences and organizations. As Course Author at Berklee Online\, Berklee and Coursera\, he created the Coursera/Berklee Copyright Law in the Music Business which has attracted students from 117 countries. He also created the Berklee Online Graduate Music Business Law course\, and the Berklee Online Music Business Capstone course.  He was the Jemison Distinguished Professor of the Humanities at the University of Alabama-Birmingham and has taught at University of Miami\, Ohio State\, University of Pittsburgh\, William Paterson University\, Belmont University\, Berklee and Berklee Online. He has bicycled twice from Los Angeles to Nashville (2\,500 miles) and once from Oregon to Nashville (3\,400 miles).  \n\n\n\n* * * * * \n\n\n\nRandy Wachtler is founder of 615 Music Companies\, a leading worldwide independent production music company\, active in more than 70 countries. 615 Music has earned more than 70 awards for excellence in music composition including two National EMMY’S.  615 Music is recognized as a Leader in the field of Sonic Branding & Production Music Libraries. The company was acquired by the Warner Music Group in 2010 and is now part of Warner/Chappell Production Music\, where Wachtler served as President and CEO. Wachtler also co-founded the Production Music Association (PMA) based in Los Angeles\, CA and most recently the past Chairman and current board member of that group. Current board member of AIMP-Nashville and has served on the boards of Leadership Music and National Academy of Television Arts & Sciences (NATAS). Current President of RJW Music and Consulting. \n  \n\n\n\n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/webinar-ai-invasion-of-the-robot-creators-underlying-rights-issues-in-the-use-of-artificial-intelligence-to-create-new-works/
LOCATION:Webinar\, Members: Please use link provided in email invitation
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200421T113000
DTEND;TZID=America/Chicago:20200421T121500
DTSTAMP:20260416T131500
CREATED:20200414T152820Z
LAST-MODIFIED:20200414T152838Z
UID:1484-1587468600-1587471300@copyrightsocietyofthesouth.com
SUMMARY:An interview with Gary Hertz and Steve Schnur - April 21\, 2020 (Webinar)
DESCRIPTION:Steve Schnur has been a label and music publishing company President\, TV executive producer\, music supervisor\, professional musician\, songwriter\, composer\, record producer and more. Along the way\, he has moved the needle and changed the game in the fields of music\, movies\, television\, sports\, video games and digital interactive entertainment around the world.  As Worldwide Executive of EA Music Group\, his role is to pursue\, create and continuously develop the international vision for music in game franchises such as Battlefront\, Dragon Age\, FIFA\, Madden NFL\, Need For Speed\, Star Wars\, and The Sims\, via which he has been responsible for internationally launching artists. His hands-on approach to composer selection\, orchestration and production of well over 100 EA soundtrack albums – including original scores for Battlefield 1\, The Sims\, Madden NFL\, Mass Effect\, Dragon Age\, Medal of Honor and Star Wars: Battlefront with composers that have included Mark Mothersbaugh\, Michael Giacchino\, Junkie XL\, Steve Jablonsky and Hans Zimmer – has earned EA over 50 soundtrack nominations over the last 15+ years. \nGary Hertz is a writer\, producer\, marketing consultant and semi-grizzled industry veteran. Over the past 30+ years\, he’s worked with companies that include New Line Cinema\, Arista Records\, Anchor Bay Entertainment\, National Lampoon\, IFC Films\, Sony Digital\, Rounder Records\, EA Games\, Severin Films\, Dualtone Music Group and The Library Of Congress. \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/an-interview-with-gary-hertz-and-steve-schnur-april-21-2020-webinar/
LOCATION:Webinar\, Members: Please use link provided in email invitation
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200317T113000
DTEND;TZID=America/Chicago:20200317T130000
DTSTAMP:20260416T131500
CREATED:20200311T134332Z
LAST-MODIFIED:20200313T131157Z
UID:1470-1584444600-1584450000@copyrightsocietyofthesouth.com
SUMMARY:***POSTPONED***Artificial Intelligence (AI) - Invasion of the Robot Creators:  Underlying rights issues in the use of artificial intelligence to create new works
DESCRIPTION:Due to circumstances beyond our control\, we regret we must postpone our March 17th luncheon meeting.  We will be in touch when we are able to reschedule.  Thank you.  \n______________________________________________________________________ \nGUEST PANEL:  John Beiter\, Marghie Evans\, Michael Harrington and Randy Wachtler\n\n\nJohn Beiter\nJohn Beiter has practiced entertainment law for over 25 years.  His clients have included recording artists\, record companies\, songwriters\, music publishers\, filmmakers\, and authors regarding talent agreements\, entity formation\, copyright acquisition and a wide variety of other transactional matters.  His institutional clients include the Americana Music Association\, the International Entertainment Buyers Association\, and SESAC.  He has been listed in Best Lawyers in America in Entertainment-Music since 2012 and his new firm is listed in the 2020 Best Law Firms in Entertainment-Music\, Tier 1 Nashville.  He is a member of the Recording Academy\, Country Music Association\, and American and Tennessee Bar Association entertainment law sections\, and is a former Leadership Music board member and former Chairman of the Nashville Bar Association Entertainment Law Committee.  Beiter helped draft the Songwriters Capital Gains Tax Equity Act and has spoken on several roundtables presented by the Copyright Office and the USPTO.  Previously\, he wrote songs for a Nashville music publisher. \nMarghie Evans\nAn expert in the rights clearance field\, especially for audio-visual and new media and experienced music publishing executive\, Marghie Evans is partner at Do Write Music in Nashville.  She sits on the boards of Leadership Music and the Copyright Society of the South and consults with Fair Trade Music International. \nDo Write Music have been in business for 12 years\, and represents various songwriters including Janis Ian\, Delbert McClinton\, Robin Zander (Cheap Trick)\, Victoria Shaw\, Bobby Pinson\, Old Crow Medicine Show and Matthan Minster (Cage the Elephant).  Their catalogue includes hits for Toby Keith\, Trace Adkins\, Blake Shelton\, and Christina Aguilera.  Do Write Music was winner of 2018 Music Row song of the year “Most People Are Good”\, recorded by Luke Bryant on behalf of their client\, songwriter Ed Hill. \nPrior to setting up Do Write Music\, Marghie was Head of Rights & Clearances for PolyGram Filmed Entertainment and Universal Pictures in London\, England. That’s where she learned the music publishing business – licensing in music for film and TV.  She also acted as a consultant (on behalf of both PolyGram and Universal) to the MCPS (Mechanical Rights Protection Society) and BPI (British Phonographic Industry) on rights clearance for new media. \nMarghie grew up in Toronto where she was a professional singer/songwriter throughout the 1980s.  She toured Ontario with her eponymous band and appeared on CBC’s “The Entertainers” and “Opry North”.  She eventually signed with RCA Canada and scored a top 20 country hit with “Some Things Never Change” in 1986.  She moved to England in 1988. \nMichael Harrington\nDr. E. Michael Harrington has served as consultant and expert witness in hundreds of music copyright/IP matters involving The We Shall Overcome Foundation\, Pharrell Williams\, Robin Thicke\, Taylor Swift\, Led Zeppelin\, Katy Perry\, Dixie Chicks\, Adele\, Steven Spielberg\, Led Zeppelin\, Steve Perry\, 50 Cent\, Tupac\, Lady Gaga\, Deadmau5\, Danger Mouse\, Jib Jab\, Adam Levine\, Busta Rhymes\, Samsung\, HBO and others. \nOn February 5\, 2020\, he spoke about AI and creating music at the “Copyright in the Age of Artificial Intelligence” symposium sponsored by the U. S. Copyright Office and WorldIntellectual Property Organization at the Library of Congress. https://www.copyright.gov/events/artificial-intelligence/ \nAs expert witness\, he is responsible for freeing the iconic civil rights anthem\, “We Shall Overcome\,” on January 26\, 2018:  nyti.ms/2Eiibuo \nOn August 30\, 2016\, his writings and interviews were cited as authorities in the “Brief of Amici Curiae\, 212 Songwriters\, Composers\, Musicians\, and Producers in Support of Appellants” in the “Blurred Lines” decision at the United States Court of Appeals for the Ninth Circuit bit.ly/2FApIqI.  He co-authored the Brief of Amici Curiae Musicologists in Support of Williams & Thicke\, Led Zeppelin and Katy Perry in their appeals to the Ninth Circuit. \nHe has been interviewed by media including New York Times\, Wall Street Journal\, Washington Post\, Bloomberg Law\, NPR\, Bravo\, CNN\, BBC\, CBC\, The Guardian\, ABC\, NBC\, CBS\, Fox\, Huffington Post\, Fortune\, Esquire\, Salon and others\, and lectured at Beverly Hills Bar\, Texas Bar\, Boston Bar\, Minnesota Bar\, Harvard Law School\, Harvard Business\, the American Bar Association\, GWU Law\, Cardozo Law\, BC Law\, UNH Law\, Vanderbilt Law\, Penn State Law\, Brooklyn Law\, William Mitchell Law\, Arizona State Law\, NYU\, and more than 300 universities\, festivals\, conferences and organizations. \nAs Course Author at Berklee Online\, Berklee and Coursera\, he created the Coursera/Berklee Copyright Law in the Music Business which has attracted students from 117 countries: bit.ly/2zFPLfB. He also created the Berklee Online Graduate Music Business Law course bit.ly/2sifg03\, and the Berklee Online Music Business Capstone course bit.ly/2HiHfDv \nHe was the Jemison Distinguished Professor of the Humanities at the University of Alabama-Birmingham and has taught at University of Miami\, Ohio State\, University of Pittsburgh\, William Paterson University\, Belmont University\, Berklee and Berklee Online. \nHe has bicycled twice from Los Angeles to Nashville (2\,500 miles) and once from Oregon to Nashville (3\,400 miles).  bit.ly/UyfCdd \nRandy Wachtler\nFounder of 615 Music Companies\, a leading worldwide independent production music company\, active in more than 70 countries. 615 Music has earned more than 70 awards for excellence in music composition including two National EMMY’S.  615 Music is recognized as a Leader in the field of Sonic Branding & Production Music Libraries. The company was acquired by the Warner Music Group in 2010 and is now part of Warner/Chappell Production Music\, where Wachtler served as President and CEO. Wachtler also co-founded the Production Music Association (PMA) based in Los Angeles\, CA and most recently the past Chairman and current board member of that group. Current board member of AIMP-Nashville and has served on the boards of Leadership Music and National Academy of Television Arts & Sciences (NATAS). Current President of RJW Music and Consulting. \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/artificial-intelligence-ai-invasion-of-the-robot-creators-underlying-rights-issues-in-the-use-of-artificial-intelligence-to-create-new-works/
LOCATION:CMA Event Center\, 35 Music Square East\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200218T113000
DTEND;TZID=America/Chicago:20200218T130000
DTSTAMP:20260416T131500
CREATED:20200123T160604Z
LAST-MODIFIED:20200123T160627Z
UID:1454-1582025400-1582030800@copyrightsocietyofthesouth.com
SUMMARY:Legislative Updates with Bart Herbison - February 18\, 2020
DESCRIPTION:GUEST SPEAKER: Bart Herbison\, Executive Director of the Nashville Songwriters Association International (NSAI) \n \nBart Herbison is Executive Director of the Nashville Songwriters Association International (NSAI)\, the world’s largest not-for-profit songwriters trade organization dedicated to the songwriting profession. Established in 1967\, the organization’s membership of nearly 5\,000 spans the United States and many other countries. With more than 100 chapters\, NSAI is dedicated to protecting songwriter’s rights and serves aspiring and professional songwriters in all genres of music. NSAI also owns The Bluebird Cafe in Nashville\, Tennessee. \nUnder Herbison’s leadership NSAI gained prominence in the national legislative arena. Accomplishments include: · Passage of the landmark “Songwriters Capital Gains Tax Equity Act” in 2006 · Creating the first-ever Group Copyright Infringement Insurance for songwriters and music publishers. · Purchase of the “Music Mill” studios as NSAI headquarters in 2005 · Acquisition of the world-famous “Bluebird Café” in 2008. \nA Paris\, Tenn.\, native\, Herbison worked as a reporter and spent 14 years in radio before joining the staff of former Tennessee Governor Ned McWherter in 1987. Herbison joined the staff of U.S. Rep. Bob Clement (D-Nashville) in 1988. During the next 10 years\, Herbison served as the Tennessee Congressman’s Press Secretary\, Campaign Manager and Chief Administrative Officer before leaving Capitol Hill for Music Row in 1997. \nHis first movie role is in “Wheeler” starring Stephen Dorff in the title role\, where Herbison portrays himself. He was also featured in the documentary “The Last Songwriter\,” released in 2017. \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!*** \n 
URL:https://copyrightsocietyofthesouth.com/event/legislative-updates-with-bart-herbison-february-18-2020/
LOCATION:ASCAP\, 2 Music Square West\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191204T113000
DTEND;TZID=America/Chicago:20191204T130000
DTSTAMP:20260416T131500
CREATED:20191118T160857Z
LAST-MODIFIED:20191118T160857Z
UID:1427-1575459000-1575464400@copyrightsocietyofthesouth.com
SUMMARY:December 4\, 2019:  Copyright Year-End Review
DESCRIPTION:GUEST SPEAKER:  Stan Soocher \n \nStan Soocher is the long-time Editor-in-Chief of Entertainment Law & Finance. He is also Professor of Music & Entertainment Industry Studies at the University of Colorado’s Denver Campus. In addition\, Stan is an award-winning journalist and entertainment attorney. He is author of the books Baby You’re a Rich Man: Suing the Beatles for Fun & Profit and They Fought the Law: Rock Music Goes to Court. \nThis is Stan’s 23rd consecutive year presenting “Copyright Year in Review” to the Copyright Society of the South. \nAdditionally\, Stan has presented solo speeches and/or participated on panels on entertainment law and industry developments\, at among many other venues: the American Bar Association\, N.Y. State Bar Association\, Nashville Bar Association\, South-By-Southwest Music Conference\, Dallas Bar Association\, Los Angeles County Bar\, D.C. Bar\, Colorado Bar Association\, Minnesota State Bar\, Liverpool Sound City Conference\, Reeperbahn Music Conference in Hamburg\, Germany\, Georgia Bar\, New Jersey Bar\, Connecticut Bar\, Florida Bar\, California Lawyers for the Arts\, Southern University Law Center\, Harvard Law School\, Vanderbilt University School of Law\, New York University Law School\, Indiana University School of Law\, Loyola Law School in Los Angeles\, Fordham University School of Law\, New York Women in Film and Television\, Dartmouth Lawyers Association\, National Music Publishers Association\, the Seattle Museum of Pop Culture\, the Music and Entertainment Industry Educators Association\, and the College Music Society. \n***This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/december-4-2019-copyright-year-end-review/
LOCATION:ASCAP\, 2 Music Square West\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191105T113000
DTEND;TZID=America/Chicago:20191105T130000
DTSTAMP:20260416T131500
CREATED:20191030T153115Z
LAST-MODIFIED:20191030T153115Z
UID:1393-1572953400-1572958800@copyrightsocietyofthesouth.com
SUMMARY:November 5\, 2019:  The National Museum of African American Music  - H. Beecher Hicks\, III\, President & CEO
DESCRIPTION:GUEST SPEAKER:  H. Beecher Hicks\, III \n \n  \nH. Beecher Hicks III’s professional experiences have included work in the private\, public and nonprofit sectors\, where he has focused on building enterprises as a consultant\, banker\, investor and operating executive. Henry is now the president and CEO of the National Museum of African American Music\, or NMAAM (www.nmaam.org). His relationship with the project began in 2010 when he began serving on NMAAM’s board before becoming CEO in 2013. From traditional African drum beats to modern hip-hop\, the 56\,000-square-foot experiential museum will highlight the many contributions African Americans have made to American music and culture. \nAs a former investment banker and current private equity investor\, Henry is first and foremost a deal-maker. His prior banking experience includes roles as an investment banker at Bank of America in Charlotte\, N.C.\, where he closed more than $1 billion in middle market transactions\, as an operating principal with Onyx Capital Ventures\, achieving more than 25 percent top-line growth for his portfolio companies. He currently serves as a partner with private equity group Red Clay Capital Holdings. Henry draws on his business experience to lead NMAAM’s fundraising efforts and provide the museum with a sturdy fiscal foundation. \nIn 1998\, Henry was appointed by President William J. Clinton to be a White House Fellow. In this capacity\, he was senior adviser to the CEO of the Corporation for National and Community Service and launched the AmeriCorps Promise Fellows program on behalf of the president and Gen. Colin Powell. Henry is a member of the boards of directors for Leadership Nashville\, University School of Nashville and Nashville’s Center for Nonprofit Management. He served previously on the board of directors for the Nashville Convention and Visitors Corporation and United Therapeutics Corporation (Nasdaq: UTHR)\, where he served on the audit and compensation committees. \nThe son of a preacher\, he grew up in the church\, where he developed a passion for music. He explored his talents as a member of the Morehouse College Glee Club\, where he earned a scholarship to sing and completed a Bachelor of Arts degree in marketing. After graduating from Morehouse\, Henry continued his education to earn a Master of Business Administration degree in finance from the University of North Carolina at Chapel Hill. His musical passion is a vital asset at NMAAM\, where he combines his financial acumen with the fervor of a musical scholar and fan. He also takes delight in playing tennis and golf\, reading modern biographies and fiction\, and has recently begun DJ’ing local parties. He is married to Crystal\, an elementary educator\, and they are the parents of two young adults. You can find his latest insights on his blog (dreambigthenexecute.com) or on his Twitter account at @hbeecher3. \n\n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/november-5-2019-the-national-museum-of-african-american-music-h-beecher-hicks-iii-president-ceo/
LOCATION:BMI\, 10 Music Square East\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,November 5th Luncheon Meeting,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191022T113000
DTEND;TZID=America/Chicago:20191022T130000
DTSTAMP:20260416T131500
CREATED:20191004T174953Z
LAST-MODIFIED:20191004T175049Z
UID:1378-1571743800-1571749200@copyrightsocietyofthesouth.com
SUMMARY:October 22\, 2019: How to Maximize Your Income from Canadian Cuts
DESCRIPTION:GUEST SPEAKER:  Margaret McGuffin  \n \nMargaret McGuffin is the Executive Director of the Canadian Music Publishers Association. Previously\, Margaret has held management positions with the Canadian Musical Reproduction Rights Agency (CMRRA) \, Musicians’ Rights Organizations Canada\, and Access Copyright. She has also served on the Board of Directors for Re:Sound and the Canadian Private Copying Collective. \nMcGuffin started her career at Music Canada and Connect Music Licensing\, then later worked as a consultant with a wide range of cultural\norganizations and collective management organizations including the JUNOS. \nMargaret holds a BA from the University of Western Ontario and an MBA in Arts and Media Administration from York University’s Schulich School of Business. McGuffin volunteers extensively and currently serves as Vice Chair on the Board of Directors of Work in Culture and the Advisory Board of MusiCounts. \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/october-22-2019-how-to-maximize-your-income-from-canadian-cuts/
LOCATION:ASCAP\, 2 Music Square West\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190910T113000
DTEND;TZID=America/Chicago:20190910T130000
DTSTAMP:20260416T131500
CREATED:20190820T134518Z
LAST-MODIFIED:20190820T134518Z
UID:1343-1568115000-1568120400@copyrightsocietyofthesouth.com
SUMMARY:September 10\, 2019 - Songtrust: The Modern Guide to Music Publishing
DESCRIPTION:GUEST SPEAKER: Anna Bond | Songtrust (www.songtrust.com) \nAnna Bond is the Director of Business Development for Songtrust in North America. A 15-year veteran of the industry\, Bond’s mission is to help musicians advance their careers and share their unique visions. Prior to her role at Songtrust\, Bond worked in label management\, heading up the US offices for Rough Trade Records and FatCat Records. She has worked with artists like Princess Nokia\, Houndmouth\, and Frightened Rabbit; as well as independent distributor Secretly Canadian; digital music service eMusic; and more. \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/september-10-2019-songtrust-the-modern-guide-to-music-publishing/
LOCATION:BMI\, 10 Music Square East\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190327T113000
DTEND;TZID=America/Chicago:20190327T130000
DTSTAMP:20260416T131500
CREATED:20190318T171846Z
LAST-MODIFIED:20190318T171925Z
UID:1303-1553686200-1553691600@copyrightsocietyofthesouth.com
SUMMARY:March 27\, 2019  - Estate Planning for Artists and Their Families
DESCRIPTION:GUEST SPEAKER: Stacey Schlitz \nStacey Schlitz represents some of the world’s most renowned entertainers\, composers\, and music publishers in the areas of tax\, probate\, estate planning\, intellectual property\, corporate planning\, contract negotiations\, and litigation.  She also represents sports agents\, trade groups\, and municipalities in her litigation practice. Stacey’s clients include award-winning musical artists\, songwriters\, and publishers in the country and Christian music industries\, as well as professionals in the medical\, dental\, banking\, and sports industries. \nStacey has conducted seminars for Continuing Legal Education\, including “When You Say Nothing At All:  What Lawyers Can Learn from Songwriters\,” developed in conjunction with Judge Thomas Marten of the United States District of Kansas and songwriter Don Schlitz; and “Estate Planning for Artists:  Protecting Your Creativity” for the Tennessee Lawyers and Professionals for the Arts.  Stacey was the editor of the Tennessee Bar Association’s Entertainment and Sports Newsletter in 2008-2009.  Due to her knowledge of both the probate and copyright practice areas of the law\, Stacey is frequently appointed by the Davidson County Probate Court in probate\, conservatorship\, and guardian ad litem proceedings involving entertainers or copyright assets \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!***
URL:https://copyrightsocietyofthesouth.com/event/march-27-2019-estate-planning-for-artists-and-their-families/
LOCATION:BMI\, 10 Music Square East\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190206T113000
DTEND;TZID=America/Chicago:20190206T130000
DTSTAMP:20260416T131500
CREATED:20190116T202952Z
LAST-MODIFIED:20190116T202952Z
UID:1288-1549452600-1549458000@copyrightsocietyofthesouth.com
SUMMARY:February 6\, 2019:  Advocacy update - Explaining the Music Modernization Act and More!
DESCRIPTION:GUEST SPEAKER: Bart Herbison\, Executive Director of the Nashville Songwriters Association International (NSAI) \n \nBart Herbison is Executive Director of the Nashville Songwriters Association International (NSAI)\, the world’s largest not-for-profit songwriters trade organization dedicated to the songwriting profession. Established in 1967\, the organization’s membership of nearly 5\,000 spans the United States and many other countries. With more than 100 chapters\, NSAI is dedicated to protecting songwriter’s rights and serves aspiring and professional songwriters in all genres of music. NSAI also owns The Bluebird Cafe in Nashville\, Tennessee. \nUnder Herbison’s leadership NSAI gained prominence in the national legislative arena. Accomplishments include: · Passage of the landmark “Songwriters Capital Gains Tax Equity Act” in 2006 · Creating the first-ever Group Copyright Infringement Insurance for songwriters and music publishers. · Purchase of the “Music Mill” studios as NSAI headquarters in 2005 · Acquisition of the world-famous “Bluebird Café” in 2008. \nA Paris\, Tenn.\, native\, Herbison worked as a reporter and spent 14 years in radio before joining the staff of former Tennessee Governor Ned McWherter in 1987. Herbison joined the staff of U.S. Rep. Bob Clement (D-Nashville) in 1988. During the next 10 years\, Herbison served as the Tennessee Congressman’s Press Secretary\, Campaign Manager and Chief Administrative Officer before leaving Capitol Hill for Music Row in 1997. \nHis first movie role was in Wheeler starring Stephen Dorff in the title role\, where Herbison portrayed himself. He is also featured in the 2017 documentary\, The Last Songwriter. \n****This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, contact us today!*** \n 
URL:https://copyrightsocietyofthesouth.com/event/february-6-2019-advocacy-update-explaining-the-music-modernization-act-and-more/
LOCATION:ASCAP\, 2 Music Square West\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181206T113000
DTEND;TZID=America/Chicago:20181206T130000
DTSTAMP:20260416T131500
CREATED:20181116T162747Z
LAST-MODIFIED:20181127T163158Z
UID:1263-1544095800-1544101200@copyrightsocietyofthesouth.com
SUMMARY:December 6\, 2018 - The Copyright Year In Review: 2018
DESCRIPTION:GUEST SPEAKER:  Stan Soocher\, Associate Professor of Music & Entertainment Industry Studies at the University of Colorado’s Denver Campus  \nStan Soocher is the long-time Editor-in-Chief of Entertainment Law & Finance. He is also Professor of Music & Entertainment Industry Studies at the University of Colorado’s Denver Campus. In addition\, Stan is an award-winning journalist and entertainment attorney. He is author of the books Baby You’re a Rich Man: Suing the Beatles for Fun & Profit and They Fought the Law: Rock Music Goes to Court\, the latter which is now available in an updated\, expanded edition in Amazon’s Kindle Store. \nThis is Stan’s 22d consecutive year presenting to the Copyright Society of the South. \nAdditionally\, Stan has presented solo speeches and/or participated on panels on entertainment law and industry developments\, at among many other venues: the American Bar Association\, N.Y. State Bar Association\, Nashville Bar Association\, South-By-Southwest Music Conference\, Dallas Bar Association\, Los Angeles County Bar\, D.C. Bar\, Colorado Bar Association\, Minnesota State Bar\, Liverpool Sound City Conference\, Georgia Bar\, New Jersey Bar\, Connecticut Bar\, Florida Bar\, California Lawyers for the Arts\, Southern University Law Center\, Harvard Law School\, Vanderbilt University School of Law\, New York University Law School\, Indiana University School of Law\, Loyola Law School in Los Angeles\, Fordham University School of Law\, New York Women in Film and Television\, Dartmouth Lawyers Association\, National Music Publishers Association\, the Seattle Museum of Pop Culture\, the Music and Entertainment Industry Educators Association\, and the College Music Society. \n*This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, please contact us today!*
URL:https://copyrightsocietyofthesouth.com/event/december-6-2018-the-copyright-year-in-review-2018/
LOCATION:ASCAP\, 2 Music Square West\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20181108T160000
DTEND;TZID=America/Chicago:20181108T180000
DTSTAMP:20260416T131500
CREATED:20181030T184803Z
LAST-MODIFIED:20181030T184803Z
UID:1248-1541692800-1541700000@copyrightsocietyofthesouth.com
SUMMARY:November 8\, 2018 - Songwriter Series:  A Special Evening with Mac Davis
DESCRIPTION:GUEST PERFORMING ARTIST:  Mac Davis \nAt his commercial peak in the mid-’70s\, Mac Davis was one of America’s most popular entertainers\, a countrypolitan-styled singer and actor who found considerable success in both fields. After moving to Georgia\, Davis first broke into the music business in 1962\, when he was hired by the Chicago-based record label Vee-Jay as their Atlanta-based regional manager. After joining the Liberty label three years later\, in 1967 he moved to Los Angeles to head the company’s publishing arm\, Metric Music; in addition to running Metric’s day-to-day operations\, he also began composing his own songs\, with Glen Campbell\, Bobby Goldsboro\, Lou Rawls\, and Kenny Rogers & the First Edition among the artists recording his work. \nIn 1968\, Elvis Presley recorded Davis’ “A Little Less Conversation\,” and soon after the King was requesting more of his work. After notching a Top 40 hit with Davis’ “Memories\,” Presley reached the Top Five in 1969 with the songwriter’s “In the Ghetto\,” a single from the landmark From Elvis in Memphis LP. Davis also arranged the music for Presley’s first television special before signing his own recording contract in 1970. In that year\, he released his first chart single\, “Whoever Finds This\, I Love You\,” from his debut album\, Song Painter. \nIn 1972\, Davis scored a number one pop hit with “Baby\, Don’t Get Hooked on Me\,” which also reached the country Top 20. His crossover success continued throughout the decade\, with singles like 1974’s “Stop and Smell the Roses\,” 1975’s “Burnin’ Thing\,” and the following year’s “Forever Lovers” scoring with listeners in both camps. Between 1974 and 1976\, Davis hosted a musical variety show for NBC television\, followed by a string of specials; in 1979\, he also starred in the film North Dallas Forty with Nick Nolte. \nDavis’ success continued in the early ’80s; “It’s Hard to Be Humble\,” the title track of his 1980 album\, was the first of four consecutive Top Ten country hits that culminated with his biggest country single\, “Hooked on Music\,” the next year. In 1980\, he also starred in a TV movie\, Cheaper to Keep Her. However\, a co-starring role opposite Jackie Gleason and Karl Malden in 1983’s disastrous The Sting II effectively ended Davis’ career in Hollywood\, and by 1985\, he had recorded his last Top Ten hit\, “I Never Made Love (Till I Made Love With You).” In 1990\, Davis made a comeback as a songwriter\, co-authoring Dolly Parton’s hit “White Limozeen”; that same year\, he also took over the title role in the Broadway hit The Will Rogers Follies. Will Write Songs for Food\, his first LP in nearly a decade\, appeared in 1994. \nSambuca Restaurant is located at 601 12th Avenue South\, in the Gulch.  (Please note: the Sky Loft is located on the second floor with no elevator access.) \n*This is a private event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, please contact us today!*
URL:https://copyrightsocietyofthesouth.com/event/november-8-2018-songwriter-series-a-special-evening-with-mac-davis/
LOCATION:Sambuca Restaurant\, 601 12th Avenue South\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180928T113000
DTEND;TZID=America/Chicago:20180928T130000
DTSTAMP:20260416T131500
CREATED:20180830T140923Z
LAST-MODIFIED:20180830T140923Z
UID:1198-1538134200-1538139600@copyrightsocietyofthesouth.com
SUMMARY:"Blurred Lines" Lawyer Lifts the Veil on His Significant Entertainment Cases
DESCRIPTION:GUEST SPEAKER:  Richard S. Busch \nRichard S. Busch is a Partner in the Litigation Section and is Head of the Entertainment and Intellectual Property Sections of King & Ballow. His practice areas include Litigation (State and Federal)\, Entertainment Litigation\, Intellectual Property Litigation\, and Commercial Litigation. Prior to joining the firm\, Mr. Busch served as Law Clerk to the Honorable John V. Parker\, Chief Judge of the United States District Court for the Middle District of Louisiana. \nMr. Busch received his law degree from Loyola University Law School where he was a member of the Loyola University Law Review and the Moot Court Board\, serving as Spring National Team Coach. In addition\, Mr. Busch received the American Jurisprudence Award for Secured Transactions and the Fishman Award as the outstanding commercial law student. \nMr. Busch has successfully represented clients in numerous trial and appellate court cases. In the action styled F.B.T. Productions\, LLC v. Aftermath Records\, et al.\, Mr. Busch represented the Plaintiff\, who discovered\, produced\, and co-wrote some of recording artist Eminem’s biggest hits\, in the landmark case\, in which the United States Court of Appeals for the Ninth Circuit entered judgment in favor of F.B.T.\, finding that the agreements between record label Universal and digital download providers like iTunes\, are licenses\, and Eminem’s recording agreement entitled him and F.B.T. to 50 percent of Universal’s net receipts for sales by iTunes and others of Eminem songs. The full decision may be found at 2010 U.S. App. LEXIS 18450 (9th Cir. Sept. 3\, 2010). Mr. Busch has represented many other artists in similar lawsuits and in connection with similar claims. \nTo see Mr. Busch’s full bio\, please click here:  https://kingballow.com/attorneys/richard-busch/ \nThis is a private luncheon event for Society members and their guests.  If you are interested in becoming a member of the Copyright Society of the South\, please contact us today!
URL:https://copyrightsocietyofthesouth.com/event/blurred-lines-lawyer-lifts-the-veil-on-his-significant-entertainment-cases/
LOCATION:ASCAP\, 2 Music Square West\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180404T113000
DTEND;TZID=America/Chicago:20180404T130000
DTSTAMP:20260416T131500
CREATED:20180306T194711Z
LAST-MODIFIED:20180314T191728Z
UID:1131-1522841400-1522846800@copyrightsocietyofthesouth.com
SUMMARY:April 4\, 2018:  An In-depth look at the Music Modernization Act - Bart Herbison\, Guest Speaker    (Note: Speaker/Topic Change)
DESCRIPTION:The Copyright Society of the South invites you to a luncheon meeting on Wednesday\, April 4\, 2018 from 11:30am to 1:00pm at The CMA Event Space  (35 Music Square East\, Nashville\, TN 37203). \n \nBart Herbison is Executive Director of the Nashville Songwriters Association International (NSAI)\, the world’s largest not-for-profit songwriters trade organization dedicated to the songwriting profession. Established in 1967\, the organization’s membership of nearly 5\,000 spans the United States and many other countries. With 140 chapters\, NSAI is dedicated to protecting songwriter’s rights and serves aspiring and professional songwriters in all genres of music. \nUnder Herbison’s leadership NSAI gained prominence in the national legislative arena. Accomplishments include: \n\nPassage of the landmark “Songwriters Capital Gains Tax Equity Act” in 2006\nCreating the first-ever Group Copyright Infringement Insurance for songwriters and music publishers.\nPurchase of the “Music Mill” studios as NSAI headquarters in 2005\nAcquisition of the world-famous “Bluebird Café” in 2008.\n\nA native of Paris\, Tennessee\, Herbison worked as a reporter and spent 14 years in radio before joining the staff of former Tennessee Governor Ned McWherter in 1987.  Herbison joined the staff of U.S. Rep. Bob Clement (D-Nashville) in 1988.  During the next 10 years\, Herbison served as the Tennessee Congressman’s Press Secretary\, Campaign Manager and Chief Administrative Officer before leaving Capitol Hill for Music Row in 1997. \nHerbison is a 1996 graduate of Leadership Music and served on the Leadership Music Board of Directors and boards including the national musicunited.net campaign; Nashville Mayor’s Music Council; Tennessee Governor’s Board for Economic Growth and Development; Nashville Chamber of Commerce Government Relations Advisory Board and the Nashville State Community College Foundation Board of Directors. \nPlease RSVP by: Monday March 26\, 2018.  Invitations are individual and non-transferable.  Parking is limited in the CMA parking garage.  Please carpool and/or use street parking when available. \nYou don’t want to miss this in-depth look at the Music Modernization Act. Hope to see you there!
URL:https://copyrightsocietyofthesouth.com/event/april-4-2018-copyright-infringement-lawsuits-why-some-win-blurred-lines-why-some-lose-led-zeppelin-and-whats-next/
LOCATION:CMA Event Center\, 35 Music Square East\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20140917T113000
DTEND;TZID=America/Chicago:20140917T130000
DTSTAMP:20260416T131500
CREATED:20140828T190052Z
LAST-MODIFIED:20140828T190052Z
UID:528-1410953400-1410958800@copyrightsocietyofthesouth.com
SUMMARY:Kevin Grosch\, CEO of Made in Network
DESCRIPTION:
URL:https://copyrightsocietyofthesouth.com/event/kevin-grosch-ceo-of-made-in-network/
LOCATION:BMI\, 10 Music Square East\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20140520T113000
DTEND;TZID=America/Chicago:20140520T133000
DTSTAMP:20260416T131500
CREATED:20140514T163030Z
LAST-MODIFIED:20140515T135355Z
UID:453-1400585400-1400592600@copyrightsocietyofthesouth.com
SUMMARY:Current Copyright Review Update with Sandra Aistars\, CEO of Copyright Alliance
DESCRIPTION:Ascap’s Connie Bradley Board Room \nTuesday\, May 20\, 2014 11:30am – 1:30pm
URL:https://copyrightsocietyofthesouth.com/event/current-copyright-review-update-with-sandra-aistars-ceo-of-copyright-alliance/
LOCATION:ASCAP\, 2 Music Square West\, Nashville\, TN\, 37203\, United States
CATEGORIES:Calendar of Events,Luncheon,Upcoming Events
END:VEVENT
END:VCALENDAR